“This was, simply, one of the best piano recitals I’ve heard in many a long year. She has an easy manner and good rapport with her audience, and we all enjoyed this programme of mainly South American music, plus magical, unforgettable Chopin.”
Musical Pointers, UK

“Last night the pianist Clélia Iruzun played a wonderful concert. The variety of repertoire with the classics and Brazilian works were a new experience for the people of Shanghai.”
Xinming Evening News, Shanghai, China

“The Mephisto Waltz sounded as if the composer himself was playing it… The Mozart Variations on a Theme by Duport were impeccable”
O GLOBO, Rio de Janeiro, Brasil

“In the Allegro maestoso (Chopin Concerto No.1) her phrasing was exquisite, with refined touches of pedal, ending with a brilliant Coda; Clélia played the Larghetto with great variety of colour and in the Rondo Vivace she was exquisite again playing with great virtuosity… Her Concerto was serious, without unnecessary affectation and rigidity; she seems to caress the notes and everything in her playing is spontaneous and natural”
EL DIA, Zaragoza, Spain

“The lyricism pours out with the clarity of crystal; the piano masterly touched… Magnificent the Prelude and Aria from the Bachianas Brasileiras”
Semaines Musicales, Quimper, France

“A concert of great success last night at the Teatro Sociale in Fasano … Protagonist Brazilian Clelia Iruzun, a very talented pianist who paid tribute to the audience with a program of Latin American and Spanish pieces,  Iruzun offered music by Villa-Lobos, Nazareth, Mignone and Lecuona demonstratingan an exuberant pianistic texture. ”
OsservatOriO oggi.it, Italy

“As a tribute to her adopted land Clélia Iruzun performed some English composers in her latest recital in Rio de Janeiro. Two of them were entirely unknown to the Brazilian audiences. Arnold Bax, impressionist, wrote with extreme good taste his Nereid and York Bowen, considered the Rachmaninoff of this island, showed us in four Preludes a romantic and flamboyant language, in a way influenced by the Russian master.
Tribuna da Imprensa, Rio de Janeiro, Brazil